Demi Moore, Margaret Qualley & Coralie Fargeat Discuss The Substance (Live)

We have another Everyman Soundtracking Film Club for you, as Coralie Fargeat, Margaret Qualley and Demi Moore join me in front of a live audience to discuss Coralie’s new film, The Substance. The Substance tells the story of fading celebrity, Elizabeth Sparkle, who decides to use a black market drug that temporarily creates a younger, better version of herself – unknowingly giving her horrifying side effects.

Charlie Covell & Jeff Goldblum On The Music of KAOS

Our latest guests on Soundtracking are Charlie Covell & Jeff Goldblum – respectively creator and star of the Netflix show KAOS. Also featuring the likes of Stephen Dillane and Billie Piper, KAO is a bold, darkly comedic contemporary retelling of Greek mythology – with a fabulous soundtrack on score by Isabella Summers.

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Kate Winslet, Andrea Riseborough & Kate Solomon Discuss The Music Of Lee

What a treat we have for you in this bonus episode of Soundtracking, as Kate Winslet, Andrea Riseborough and producer Kate Solomon join me to discuss their new film, Lee. Starring Winslet in the title role, Lee tells the extraordinary story of Lee Miller, who made the unlikely transition from muse model to a war photojournalist chronicling the horrors of World War 2 for Vogue magazine.

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Iain Softley & Don Was On The Music Of Backbeat

Our latest guests on Soundtracking are director Iain Softley and musician Don Was, who joined me earlier this year to discuss the 40th Anniversary of Backbeat. Starring Stephen Dorf, Iain Hart and Sheryl Lee, Backbeat charts the early days of The Beatles and their pre-fame Hamburg days, focussing on primarily focussing on bassist Stuart Sutcliffe’s relationship with John Lennon and photographer Astrid Kirchherr. Backbeat features no original Beatles songs, but rather tracks they performed during their live shows in Hamburg, Don produced these and also wrote the score.

Greg Kwedar & Bryce Dessner On The Music Of Sing Sing

After Zoe Kravitz and producers Tiffany Persons and Garret Levitz discussed Zoe’s debut feature Blink Twice in our previous episode, we have another bumper edition of Soundtracking for you this time round, as first Greg Kwedar and then composer Bryce Dessner join Edith to discuss their collaboration on Greg’s beautiful, moving and important film, Sing Sing. Based on the real-life Rehabilitation Through the Arts program at the world famous Sing Sing Maximum Security Prison, the film centers on a group of inmates involved in the creation of theatrical stage shows. It stars professional actors Colman Domingo, alongside many real-life former prisoners who were themselves alumni of the program during their incarceration

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Zoe Kravitz, Tiffany Persons & Garret Levitz On The Music Of Blink Twice

We have a double bill on Soundtracking this week – or rather a triple bill – as first Zoe Kravitz and then producers Tiffany Persons and Garret Levitz join Edith to discuss Zoe’s directorial debut, Blink Twice, which she also co-wrote. Blink Twice tells the story of Frida, who gets invited to a tech billionaire’s private island in what appears to be a dream vacation. But when strange things start to happen, she must figure out what’s really going on in order to survive.

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Composer Martin Phipps On The Music Of The Crown & Napoleon

Our latest guest on Soundtracking is composer Martin Phipps. Among Martin’s credits are Ridley Scott’s Napoleon and four seasons of The Crown. Martin joined The Crown in season three, which follows the life and early reign of Queen Elizabeth, and his music played a hugely important part in the subsequent development of the show.

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Paul Feig On The Music Of Jackpot!

Our latest guest in this bonus episode is Paul Feig, who returns to Soundtracking to discuss his latest film, Jackpot!, which is streaming now on Prime Video. Starring Awkwafina and John Cena, Jackpot! is a black comedy caper set in the near future, where winners of a huge lottery only get to keep their billions if they avoid being killed by anyone who wants to have a crack at them by sundown. Despite the dark premise, this is very much fast-paced, gag-driven slapstick fare in which both the protagonists shine.

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Doug Liman On The Music Of The Instigators

We have a returning guest on our latest episode of Soundtracking, as Doug Liman joins Edith to discuss The Instigators, which is streaming now on Apple TV. Boasting a stellar cast including Matt Damon, Casey Affleck, Hong Chau and Alfred Molina, The Instigators sees two thieves go on the run in the wake of a botched robbery in the company of one of their therapists.

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Logan Nelson On The Music Of Elizabeth Taylor: The Lost Tapes & The Morning Show

Our latest guest on Soundtracking is Logan Nelson, who joins us to discuss his work on Elizabeth Taylor: The Lost Tapes. The Lost Tapes uses her archives and newly found audio to allow Taylor to narrate her own story, interspersing photos, video footage and iconic moments for her film. Logan’s score has not yet been released, so we’re very grateful to him for sharing a couple of his cues with us.

Rapman On The Music Of Supacell

Our latest guest on Soundtracking is Andrew Onwubolu, better known as Rapman, the creator, writer and director of the smash Netflix hit, Supacell. Set in modern-day South London, the series is about a group of five ordinary black people, unified by family history of sickle cell disease, unexpectedly developing superpowers and being pursued by a secret organisation who intends to control them.

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Emma Corrin Talks Music

We have a bonus episode of Soundtracking today, brought to you by our very good friends at BMW, marking the release of Deadpool & Wolverine. For the past 6 years, BMW have worked incredibly closely with British GQ magazine to help celebrate heroic figures who shape society, culminating in the wonderful GQ Heroes summit, which happens once a year in the Oxfordshire countryside. It’s a few days where the world’s most interesting and inspiring minds, game-changers and radical creatives come together to share big ideas with a very small and intimate group of people. We were extremely honoured to be asked back this year – not only to listen to legends of the entertainment industry, design icons, activists and so much more, but also catch up with the trailblazing talent that is Emma Corrin. Emma can be seen playing the role of Cassandra Nova in Deadpool & Wolverine, which is on general release now. Emma is someone who uses their platform as a voice for so many, in turn giving people the strength to find a voice of their own. This was all the more special for Edith as she was lucky to have conducted their first ever interview, months before anyone had seen them play the role that catapulted them onto television screens around the world – a young Princess Diana in the Crown.

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Erica Tremblay Talks Fancy Dance

Our latest guest on Soundtracking is Erica Tremblay, co-writer and director of Fancy Dance, which is streaming now on Apple TV. Fancy Dance tells the story of Jax – who has cared for her niece, Roki, on the Seneca-Cayuga reservation in Oklahoma since the disappearance of her sister. Every spare minute Jax has goes into finding her missing sister as she helps Roki prepare for an upcoming powwow.

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Lee Isaac Chung On The Music Of Twisters

Our latest guest on Soundtracking is the delightful Lee Isaac Chung, who joins us to discuss his magnificent summer blockbuster, Twisters. A loose sequel to the 1996 film, it stars Daisy Edgar-Jones as a former storm chaser drawn back to the wide-open plains of Oklahoma as multiple weather systems dangerously converge. Twisters is scored by Benjamin Wallfisch – but also features plenty of great country music.

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Josh Margolin & Nick Chuba On The Music Of Thelma

Our latest guests on Soundtracking are writer/director Josh Margolin and composer Nick Chuba, who joined forces on Josh’s new film Thelma. Thelma tells the story of a 93-year-old grandmother who loses $10,000 to a con artist on the phone. With help from a friend and his motorized scooter, she embarks on a treacherous journey across Los Angeles to reclaim what was taken from her. Nick’s score has echoes of the Ocean’s movies, and evokes the spirit of action films from the 60s and 70s with its jazzy sensibility. As always, you’ll hear extracts of it throughout the chat.

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