Our latest guest on Soundtracking is Tom Harper, director of Netflix’s Peaky Blinders: The Immortal Man. Set amid the chaos and turmoil of World War II, it sees Tommy Shelby return from self-imposed exile to do some seriously anti-heroic work to foil a Nazi plot, among many other things. As you’d expect from a Peaky project, the music is sensational, and we take a deep dive with Tom.
It’s a very happy return to Soundtracking to one of our very faves, Hildur Guðnadóttir, who joins us to discuss her work on Hedda, 28 Years Later: The Bone Temple and, most recently, The Bride!. Both Hedda and The Bone Temple were directed by Nia DaCosta, who has been a guest twice on the show, while The Bride! is the latest offering from Maggie Gyllenhall.
Our latest guests on Soundtracking is Oliver Laxe co-writer and director of Sirat. Sirat sees Luis and his son travel through Morocco from party to party in search of Luis’s daughter, who has been missing for five months having last been seen at a rave in the desert. It features an incredibly immersive score by French techno wizard, Kangding Ray.
Our latest guests on soundtracking are a couple of firecrackers, as Kristen Stewart and Imogen Poots, who join us to discuss Kristen’s debut as a writer and director, The Chronology Of Water. Based on Lidia Yuknavitch’s acclaimed memoir, it tells the story of a woman who reclaims ownership of her life following an abusive childhood by becoming a competitive swimmer among many other things.
Emerald Fennell becomes the latest guest to take the Soundtracking match ball home, as she joins us for a third time – on this occasion to discuss her thrilling adaptation of Wuthering Heights. Based on Emily Bronte’s classic novel, it stars Margot Robbie and Jacob Elordi and has all the wit and subversiveness one has come to expect from Emerald’s work.
Our latest guests on Soundtracking are Bart Layton and composer Benjamin Power – AKA Blanck Mass – who join us to discuss their collaboration on Bart’s new film Crime 101, which he wrote and directed. Featuring a star-studded cast, it tells the story of a jewel thief operating along the 101 freeway on the west coast of America, the relationship he forms with an insurance broker, and the cop out to get him.
Now we know Edith said we are going easy on the bonus episodes in 2026, but like all the best new year resolutions, that’s gone right up the swanny. Because … there are simply too many great movies and wonderful creatives around. Case in point – Pillion – written and directed by our latest guest, Harry Lighton. Starring Harry Melling and Alexander Skarsgard, it tells the story of a timid gay man who enters into an adventurous queer relationship with an enigmatic biker.
Our latest guest on Soundtracking is, finally, Bobby Krilic, who we’ve been promising you for weeks now, but has been pushed back due to last minute bookings with directors and actors of new releases. Bobby – aka The Haxan Cloak – joined Edith to discuss his work on two cinematic gems, Anemone and Eddington.
Our latest guest on Soundtracking is Bradley Cooper, completing his hat-trick by joining me to discuss his new film Is This Thing On, which he co wrote, directs and also appears in. Loosely inspired by the life of comedian John Bishop and starring Will Arnett as Alex, a dad who takes up comedy in the wake of his amicable separation from his wife Tess, played by Laura Dern.
It’s bonus time here again on Soundtracking, as actor Claire Foy joins us to discuss her starring role in H Is For Hawk. Based on Helen Macdonald’s incredibly moving memoir, it tells the story of how they cope with the grief of losing their beloved father by forming an unlikely friendship with a stubborn goshawk called Mabel.
Our latest guests on Soundtracking are Oliver Hermanus, Paul Mescal and Josh O’Connor, respectively the director and leading men in Oliver’s beautiful new film, The History Of Sound. Based on two short stories by Ben Shattuck, who also wrote the screenplay, it follows the story of two men who meet at the New England Conservatory Of Music in 1917, and subsequently travel together recording the folk songs of their compatriots in 1920’s America.
New year, new raft of bonus episodes, as those stellar guests just keep on coming. And it’s a speedy return to Soundtracking for Nia DaCosta, who joins us to discuss her follow-up to 28 Years Later, The Bone Temple. Starring Ralph Feinnes, Jack O’Connell, Alfie Williams and Erin Kellyman, it picks up the story on the mainland, as our young hero from the previous film, Spike, is taken in by a crazed gang of psychopathic zombie hunters – aka The Jimmys! Friend of the show Hildur Guðnadóttir scores in typically magnificent fashion.
Our latest guest on Soundtracking is Hikari, co-writer and director of the heartwarming comedy drama, Rental Family. Starring Brendan Fraser, it tells tells the story of an American actor based in Japan, who takes a job with an agency that provides stand-in family members for strangers. Rental Family is score by Jonsi & Alex Somers of Sigur Ros fame – and quite beautifully too!
We have a Hamnet special for you on Soundtracking, as first writer / director Chloe Zhao and stars Paul Mescal and Jessie Buckley join Edith. Based on Maggie O’Farrell’s novel – who also worked on the script – it tells the story of how the horrendous tragedy that strikes Shakespeare and his wife, Agnes, inspires him to write Hamlet. Hamnet is scored by friend of the show Max Richter, and we’ll hear plenty of his music throughout the episode.
Our last guests on Soundtracking are Will Sharpe and Paul Bettany, who join us to discuss Amadeus. Available to watch on Sky and Now TV, it’s a reworking of Peter Shaffer’s classic play, in which the precocious composer arrives in Vienna and soon makes an enemy of court composer Salieri.
